And I was right. Here's a great synopsis video I found on the ballet company's website:
While I'm not a fan of modern ballets, there were parts of this one that I thought were very effective and moving. First of all, this take on the famous story includes a "poet," representing Hans Christian Andersen; he is in love with his friend Edvard (the author was a homosexual in real life), who is getting married. The whole story is based off of the poet's creation of the Little Mermaid; she is his feelings anthropomorphized. Her love for the prince is the poet's love for his friend; her heartbreak is his heartbreak. These parallels and metaphors run throughout the story, and while symbolism usually goes over my head, I thought this theme was loud and clear in this performance. The connection was made even more obvious when the movements of the Little Mermaid and the Poet would mirror each other identically. And maybe this is why I didn't think the music or dancing was beautiful; the whole piece is supposed to represent these sad, not beautiful, feelings that Andersen/the Poet is feeling.
Image found here |
While I didn't find the Little Mermaid character (as she was played) particularly likeable (see my comments further down), I thought Silvia Azzoni did an amazing job portraying all of the negative feelings of the character. Her anguish is palpable when the Sea Witch removes her tail to give her legs, her vulnerability evident as she lays naked on the beach as a human.
Removing her tail. Image found here |
Eventually the Prince finds her naked on the beach, but takes FOREVER to give her his coat! Image found here |
Image found here |
Image found here |
Image found here |
I'm a bit conflicted on how I feel about the epilogue. I found it fitting for her to rip her shoes and dress off, since we all knew the hurt and frustration she was feeling as a human. She is eventually joined by the poet, and they are surrounded by stars (hence the title of this part "In another world"). That part was pretty, with all the twinkling lights, but the ceiling of the set started coming down on them; if this was supposed to symbolize something (maybe the walls crashing down on you?), it wasn't really clear.
So there were parts of this performance that I did enjoy and appreciate. But there were more things that I didn't like...
Just like with most modern dance, I did not enjoy the music. It was very eerie and creepy, with violin-plucking and all. There were brief moments of clarity and joy in the music, but most of the time it really just seemed like noise. I will say that I thought of describing the music as "other-worldly," which the ocean is, so in that way I guess it could have been seen as appropriate. But music "under the sea" can be happy, as Disney shows us. But I suppose this isn't a happy version of the story...
I didn't find the dancing graceful, which to me is the main word that should be used to describe ballet. Not all of it was bad, but some of the movements were very awkward or strange. Even when she was "swimming," it was more like she was floundering or darting around like a fish, rather than gracefully moving like a dolphin. See the dance below (same ballerina, different male dancer):
Also, I think many of us picture mermaids as beautiful women in shell bras with pretty tails. But this version of the Little Mermaid was very alien. I thought Silvia Azzoni looked a lot like Smeagol/Gollum from The Lord of the Rings; note the resemblance below (images found here and here). This made her quite unrelatable (at least to me). The dancers who played her sisters were beautiful and smiley, so I'm not sure why the Little Mermaid could not have been portrayed in the same way (at least for the underwater scenes when she was happy).
In modern dance fashion, this piece contained the typical clichés (is that redundant?): dancers rolling on the ground, dancing spastically, to creepy violin music. I thought some of the costume choices were odd, too. I liked what the background dancers were wearing: their flowing skirts represented water, which I thought was very smart. BUT the Little Mermaid took the trendy, wide-legged pants to a whole new level: her pants that were her tail (see below) were so long that she had to have three "shadow" dancers hold up the pants so that she wouldn't trip over the extra fabric. I think a long skirt could still have given the impression of a tail without the cumbersome outcome.
Image found here |
Image found here |
Once everyone is on the ship (the Little Mermaid has been found on the beach by the Prince), all the passengers are dancing. The color scheme was interesting: yellow, red, white, and black. A lot of the costumes actually just looked like regular clothes, so I wondered how many of the pieces had just been bought as opposed to made. Even though these passengers are all in normal clothes, the Little Mermaid has only been given a little sailor outfit to wear. Honestly? Not one woman upon the ship would have given her some real clothes? That's ridiculous, no matter how snooty they were.
During the wedding scene, almost all of the performers were junior dancers, which I didn't appreciate. I understand that junior dancers need practice in order to become more experienced, but watching teenagers dance isn't what I paid to see. The fact that at one point they all essentially did a Hitler salute didn't make me warm up to them (AND from a German ballet company no less. That's even more distasteful!).
BUT of course this is just my opinion! During intermission, the people behind me were saying the show was "beautiful" and "graceful," two words that I would NOT have used to describe the majority of the performance; they also claimed how talented the composer was, while I disagree (right in the middle of the show, she used what sounded exactly like the legendary first few notes of Beethoven's 5th Symphony, so she was practically plagiarizing some parts!). I guess you'll have to see the show to make up your own mind.
Here are some other reviews on the show that I found online after I wrote my own opinion piece:
DC Theatre Scene
DC Metro Theater Arts
Washington Post - Entertainment
Critical Dance (shares some of my opinions)
PS: The night ended on the Kennedy Center shuttle bus, which was playing songs from The Sound of Music. I like that the bus plays music, but I much prefer the classical music pieces, rather than "Do Re Mi" blasting out of the speakers!
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